randian | 燃点

The King and I is a journey across space and time. It is about a far away Palace and its imaginary stories, transposed like a labirynth or a dream to Shanghai. >> Read more

Yang Jian’s exhibition “The beginning of infinity” engages with a different, but parallel experiment. >> Read more

M+, Hong Kong’s new museum for visual culture, unveils a new ongoing series that showcases a diverse range of moving image works in the context of a single cinema screen. >> Read more

Amelia Johnson Contemporary is pleased to present Detached Oeuvre, an exhibition of paintings by two emerging Hong Kong artists Michelle Lee Ho Wing and Chris Huen Sin Kan. >> Read more

In the 1950s, a comedy series called “The House of 72 Tenants” took the world of television by storm. It depicted the lives of the working class in Shanghai prior to Liberation in 1949; it became emblematic of life in Shanghai with one single line: “Rooms as small as pigeon cages, with lodgers all crammed inside"... >> Read more

The fundamental task of an artist is not to deal with social critique or self-irony, rather it is to deal with those existential dilemma that we all encounter. >> Read more

Shi Zhiying, a painter known for her stark black-and-white paintings of rather uniform vistas — the wide, open sea, Zen sand gardens, blades of grass that occupy the viewer's horizons — talks to randian about her artistic process. >> Read more